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In
This Dispatch:
- What's
New: Unforgivable, Ai Weiwei: Never Sorry, and more.
- What
We're Watching: Beasts of the Southern Wild, The Alps, V/H/S.
- Explore:
RETRO ACTIVE: Universal Soldier:
Regeneration.
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"Literate,
intelligent and a model of accomplished European filmmaking, Unforgivable
showcases the kind of emotional complexity that is all but gone from
the screen these days," writes LA Time's Kenneth
Turan of André
Téchiné's dense, multi-layered, character-driven
drama. The plot involves a crime novelist, his younger
model-turned-real estate agent wife, his daughter, his daughter's drug
dealing boyfriend, a hired private eye, and her son, all in distinct
and complex roles. "Téchiné observes with an
egalitarian eye, attending to criminals and deceptively refined
artists, to expose for his audience the passions and turbulence that
fill them all with desperation, doubt, and surprising reserves of
strength," writes Bill
Weber of Slant.
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Chinese
artist and political provocateur Ai Weiwei is the subject of this doc
spanning several years of his life from his home in China and abroad.
Combining scenes from Director Alison Klayman and his own personal
footage, Jason
Bailey (DVD Talk) notes the film
"adopts an intimate, vérité-style approach that
seems appropriate to the subject at hand; he's a righteous man but an
informal one." The film also focuses on his social media efforts, in
which he has "achieved a prominence that makes him, in effect, the
Aleksandr Solzhenitsyn of the Twitter age," writes EW's Owen
Gleiberman, adding, "He radiates
a mischievous sense of the absurdity — and necessity
— of one man tossing stones at a regime this
gigantic."
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Exploding
gators, swamp water mojo and a lowly wise six-year-old heroine named
Hushpuppy seemed to be almost all that anyone really wanted to talk
about at the Sundance Film Festival this year. Behn Zeitlin's audacious
feature debut Beasts
of the Southern Wild,
shot on 16mm in a bayou neverland near New Orleans, felt like the
cinematic arrival occasions such as Sundance exist to announce. Two
weeks after watching it (in a sleep-deprived state, literally fresh off
an airport shuttle bus) at its festival premiere, the film resonates
with a beguiling mix of hardscrabble folk mythology and jaw-dropping,
how-the-frick-did-they-shoot-that imagery...
Read more >>
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Alps
begins with a rhythmic gymnast (Ariane Lebed) facing off against her
coach (Johnny Berkis). She wants Euro-trashy club music to soundtrack
her ribbon-twirling; he insists on the deadly backing of Carl Orff's
"Carmina Burana” (its opening movement, "O
Fortuna," is a staple of movie
trailers). The bulky trainer threatens to break her arm the next time
he questions her musical judgment. "You aren't ready for pop," he
tonelessly declares.
Is writer/director Yorgos
Lanthimos ready for pop?
Read more >>
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All
the nasty stuff is nothing remarkable in a horror flick, so it's a
testament to the imagination of the team behind V/H/S
that they found new buttons to push on the clunky deck that is the
found-footage video genre. The premise: a group of drunk buddies are
hired to break into an abandoned house and steal a specific tape.
Without giving anything away, they end up sampling several, which gives
rising young indie directors Adam Wingard, Glenn
McQuaid, Radio Silence, David
Bruckner, Joe
Swanberg and Ti
West occasion for a series of
shorts built around inherent themes of voyeurism, sex, criminality,
violence and the full vault of gnarly horror movie tropes. Read
more >>
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[This
week's "Retro Active" pick is inspired by its sequel, the Jean-Claude
Van Damme and Dolph Lundgren horror-actioner Universal
Soldier: Day of Reckoning] For a
franchise predicated on resurrection, it's an unexpected twist to find Universal
Soldier: Regeneration reviving
the long-dormant Jean-Claude
Van Damme/ Dolph
Lundgren series by switching its
focus from reanimation to cloning. Read
more >>
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Batman

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