"This is so bad it's gone past good and back to bad again."- Ghost World
#387 | May 3, 2011
In the last few years, there's been several signs that the Werner Herzog persona-- an increasingly dominant presence in his documentaries-- is tipping towards self-parody. Last year's "Werner Herzog Reads Curious George" video was initially mistaken by many people as the real thing, a sign that others can now plausibly forge their own Herzog soundtbites. Now 68, Herzog fortunately remains funny and self-reflexive. On GC Daily, Vadim Rizov looks at Herzog's latest, and in some ways most strait-laced, documentary, the acclaimed Cave Of Forgotten Dreams. Read more >>

In This Dispatch:
  • What's New: Guy and Madeline, Green Hornet, and more.
  • What We're Watching: Somewhat Gentle Man, Blow Out, The Warning.
  • Explore: SFIFF and Tribeca Critic's Notebooks.
Introducing his podcast with the director, GC's Aaron Hillis wrote: 'They don't make musicals like MGM used to decades ago, so you have to hand it to Guy and Madeline on a Park Bench writer/director Damien Chazelle for channeling the spirit of innovators like Stanley Donen and even Michel Legrand in his gritty but beautiful, 16mm black-and-white debut, one of the bona fide treasures at Tribeca [in '09]." The film, adds Jeannette Catsoulis, "has style to burn. A soulful black-and-white commentary on love, art and their competing demands, [it] floats on a wave of spontaneity and charm."
Reviews were frankly wildly mixed for Seth Rogen and Michel Gondry's take on the crimefighter/playboy but if you treat it as an comedy-action flick, it works better, and Jay Chou's Kato is perhaps the best reason to see this romp. "The film is a blast," says Peter Debruge on Variety. Elizabeth Weitzman calls it "an irreverently funny, ultramodern take on the 1930s radio serial, with a vibe so casual you half expect star Rogen to amble off screen and put his feet up on the seat next to you."
What We're Watching
What a presence, in any of his films, has Stellan Skarsgård. This unusual actor -- he of the firmly under-stated performance and increasingly jowly visage -- has, to my knowledge, never given a bad performance, even in dreadful movies like Angels and Demons or silly ones like Mamma Mia!. The actor turns 60 this year and has 109 roles to his credit (including the original Insomnia and Dogville), but I doubt that he has ever been better than he is in A Somewhat Gentle Man, the new Norwegian film cogently directed by Hans Petter Moland (who also directed Skarsgard in the lesser known Aberdeen) with a fine script by Kim Fupz Aakeson....Read more >>
Of all Brian De Palma's films, Blow Out is the one I want to give the most repeated viewings. It's a clever updating of Antonioni's Blow Up and Coppola's The Conversation with John Travolta as a movie sound effects man who accidentally records an auto crash that may have been a murder attempt. Nancy Allen (in yet another hooker role) survives the crash and now knows too much. A young Dennis Franz plays a sleazy photographer whose snapshots prove Travolta's theory. And John Lithgow plays a "strangler" who complicates things. Though Saturday Night Fever and Pulp Fiction made Travolta a star, this may be his finest performance as an actor... Read more >>
More like this Body Double | Peeping Tom
Making for a great companion piece with the Oscar-winning documentary Inside Job, this important PBS Frontline offers a detailed look at the roots of the '08 economic crisis by investigating why government officials refused to regulate emerging derivatives markets that later ruined the financial system. "If the government spent as much time analyzing our financial situation as Frontline has, we might all be in better shape" (Minneapolis Star Tribune); it's "very clear in explaining the complex and secretive forces that caused the implosion" (Hartford Courant). Official site.
Explore
On GC Daily, Craig Phillips reports back from the San Francisco International Film Festival in two new Critic's Notebooks (#1 and #2), where he spotlights a handful of worthy new films from Japan, Uruguay, Greece, France, Chile and Columbia, each deserving a push.The highlight may be is Patricio Guzman's Nostalgia for the Light. More >>

And Steve Dollar gives us another Tribeca Notebook, highlighted by Black Butterflies. and Everything Must Go. More >>
 

Norsk Kino





GreenCine on Twitter


Like GreenCine on Facebook


 
We recommend viewing this newsletter in all of its HTML glory; check your e-mail program's settings to view HTML. This newsletter is sent to GreenCine members only. If you do not wish to receive this newsletter in the future, log in to the GreenCine site, click "View Your Profile" then click Edit Profile. Choose "no" on the "Subscribe to the GreenCine newsletter" option and click "Update Profile." Archives of the Dispatch are now available online at GreenCine's Press and Marketing blog.