August 11, 2005

Dispatch #94

No "dog days" here at GreenCine. As our latest Dispatch will attest, we're pretty darned active. Read on.
#94 | August 9, 2005

"By tomorrow, I will RULE THE WORLD!" [maniacal laughter]
"Well, good luck with that!" -- Spongebob Squarepants Movie

GreenCine has no plans to rule the world, just our little corner of it, but this week we just plain rule, as we offer up a theatrical screening of the one-of-a-kind winner of our online film festival, sponsored by DivX; details below. Then there's more trivia giveaways, tips on favorite DVD and VOD titles, new and old, and a whole lot more. All this in a newsletter that would make Mr. Krabs happy - because it's free. (Well, sort of.)

Besides our Gus Van Sant interview, which you may have perused by now, we also talked to Penn Jillette about the film The Aristocrats, which he produced. Already a runaway hit, the film is currently pulling in more per screen than any other movie out there. Jillette discussed how he and director Paul Provenza (both pictured at left) came up with the idea and about the origins of the Penn & Teller partnership, his past movies, his radio show... and magic around the world.

The GreenCine Daily, our jam-packed film blog, runs full steam ahead this week, with a peak at the new issue of Canadian film mag Synoptique and UK film mag Firecracker, along with what other cinephiles are writing about.

Video-on-Demand: Dogtown (1997).

Director George Hickenlooper is better known for the original short that Sling Blade was based on and for his work in the documentary form (his Hearts of Darkness: A Filmmaker's Apocalypse is still one of the most desired MIA DVDs), but his indie drama Dogtown is worth a look, too. Dogtown is Hickenlooper's own stab at a Last Picture Show and "is one of those rare American movies that dares to address the possibility that the quest for the American dream sometimes never gets very far," extolled Boxoffice Magazine. "A warm and sweet movie that nonetheless shuns the fantasy of Capra's America in favor of a realistic look at shattered dreams and broken hopes. Anchored by excellent performances from Karen Black, Rory Cochrane, Jon Favreau and Mary Stuart Masterson, Dogtown screams for a theatrical release that it never received." You can watch it now or any time via GreenCine's ever-expanding Video-on-Demand collection.

GreenCine Staff Pick of the Week: The Knack... and How to Get It (1965).

Ah, the knack. "Some have it, some don't," posited the tagline for The Knack... and How to Get It, a very 60's, very British, and still very funny farce, full of "Mods and Rockers!" (as one elderly chap exclaims in disgust in the film). The Knack was director Richard Lester's follow-up to his Beatle-maniac classic A Hard Day's Night, and while less famous, it remains very much of a piece with the earlier film in its manic style, frenetic energy, plethora of jump cuts and one-liners. It also shares a lack of a plot, but what there is of one centers on shy schoolteacher Colin (played by future phantom Michael Crawford) whose new womanizing tenant (Ray Brooks) is out to show him a thing or two about the fairer sex. When doe-eyed Nancy (Rita Tushingham) catches Colin's fancy, he has to fend off the more cocky boarder. Make no mistake: as funny as The Knack is, it's also undeniably a little dated, especially in this Austin Powers era, and a bit sexist, too. But don't get your knickers in a twist: with Crawford surprisingly adept at physical comedy, the movie full of witty banter, and several ripping sight gags, The Knack has what it takes to give you a good time. -- Craig Phillips

It's a rather slow DVD releasing week so our highlights of today's new releases are a small group, while next week will be a bit busier. Some good stuff here, though:

Kung Fu Hustle (2004). Stephen Chow is a major favorite among GreenCiners on both sides of the envelope. See, for example, the staff raves and member reviews for The God of Cookery and Shaolin Soccer. As for Chow's latest, Marc Savlov writes in the Austin Chronicle, "This is as pure and downright fun a cinematic experience as you're likely to have all year: part chopsocky battle royale, part Chuck Jones-and-Buster Keaton-inspired gonzo romantic comedy, and part MGM musical run amok. It's all choreographed and art-directed to the nines, too, which makes it as pleasing to the eyes as it is to your pulse, which you'll find pounding relentlessly throughout."

Look at Me (2004). The ironically named Lolita (Marilou Berry) is a talented young singer and the daughter of a famous writer. She's also overweight, which, in the Paris literati world, is an utter embarrassment to her ultra-smug father (Jean-Pierre Bacri, who co-wrote the script) and his young trophy wife. Peter Travers in Rolling Stone: "Agnes Jaoui, directing her second film (following 2000's The Taste of Others), captures the stings that come with living near the flame of success. And the script...is a model of nuance. Then there's the marvel of the ensemble acting, from the flamboyance of Bacri as a monstrous ego run amok to the delicacy of Jaoui as the moralist run aground. And Berry dazzles as the girl who uses her art and her stubborn will to avoid sliding into victimhood. This bonbon spiked with malice is a triumph for Jaoui, who takes witty and wounding measure of the small betrayals that leave bruises on us all."

The Man in the Gray Flannel Suit (1956). "Books like The Organization Man proposed the social evolution of the corporate cog of the 1950s, a new kind of man needed to fill the offices of those new steel towers in New York City," writes the DVD Savant (Glenn Erickson). "This acclaimed movie version of Sloan Wilson's best selling book isn't particularly cinematic but stands the test of time as a meaningful look at the perceived erosion of American values in the era of postwar prosperity.... Gregory Peck is excellent as a man who only wants to earn a living and make his wife proud of him. He has a tough time reconciling his time as a soldier with the 'civilized' politics he finds in the corporate environment. Film fans unfamiliar with the film's 50s context may be equally attracted by the stereophonic score by favorite Bernard Herrmann, which lends a moody and plaintive desperation to Gregory Peck's personal struggle."

Hush... Hush, Sweet Charlotte (1965). Robert Aldrich knew if he could get Bette Davis and Joan Crawford to do a sequel to the commercially successful What Ever Happened to Baby Jane?, he'd be set. Long story short, Crawford was out, Olivia de Havilland was in and the result is "an even more outrageous exercise in Hollywood necrophilia," wrote Dave Kehr in the Chicago Reader. "It was camp before the term was coined, but it's somewhat better than that, too." (By the way, you've just got to read Mark A. Vieira telling the tale of the film's making in Bright Lights Film Journal.)

New Anime:

Inu Yasha Volume 32: Glow of the False Jewel (2000). "Inu Yasha is classic," proclaims CarpeNoctem. "It's got all the great elements of an awesome anime, moving plot without tons of filler anywhere... cool characters, smooth animation, a perverted monk, and killer villians... Definitely a must-watch for any anime fan."

Mind your p's and queues: Try to have a minimum of ten titles for every slot you have, i.e., forty titles if you're on the four-out plan. If you're having trouble thinking of titles to rent, here are a few ideas: check out member lists (which you can look at chronologically, alphabetically or by average rating) and editorial top lists, browse through primers and our active discussion boards, look at our lists of titles coming soon, among other ideas. So queue away! And if you need to watch something right now, take a gander at our rapidly expanding Video-on-Demand offerings. And for ease of browsing, you can look at our currently available VOD titles by genre; go to the main page for a list of all genres.

Our Service Tip of the Week: Did you know that GreenCine offers a 1-out plan? At $9.95 a month, this is perfect for the budget- or time-conscious movie viewer who still wishes to remain a GreenCine member. And for those who are not at all budget- or time-conscious, GreenCine offers a 10-out plan at $59.95/month, which is a pretty good deal if you have the time. We have plans for every budget and lifestyle, and they're all listed here in our FAQ.

We have a ton of winners of recent GreenCine trivia contests to congratulate this week: Fox classics winners were MKing2, mahster and FOLIA (the answer was Mildred Pierce); Balseros winners were lgringo, hcourtais and FPatton (the answer was Lucrecia/Lucrecia Perez); Over There winners were duanehall, johnpalmer and hogisland (the answer was Mississippi Burning); and John Wayne contest winners were kbergstr, shilarny and ZLewis (the answer was Ernest K. Gann). We'll announce more winners in this space next week. Meanwhile, our next trivia contest giveaway features three more classic Fox dramas, the aforementioned The Man in the Gray Flannel Suit and the supercreepy Hush...Hush, Sweet Charlotte, along with In Old Chicago; look for it this Friday.

Member list of the week: JAuner's Subjective Guide to Something Weird Video. (An objective list of Something Weird titles can be found here.)

Tomorrow night! GreenCine Presents Red Cockroaches, the winner of the DivX Presents the GreenCine Online Film Festival's Narrative Grand Prize, at the Balboa Theater.

The film was called "undeniably inventive, visually stunning... a triumph of technology in the hands of a visionary" by Variety and "a digital video masterpiece" by HOHTO (Finland's biggest film magazine), and which the UK's Z Magazine bluntly calls "one weird-ass movie." Miguel Coyula's mysterious and seductive futuristic thriller is an unclassifiable piece of cinema, offering very few answers as it plays with our genre expectations, taking us on a surreal journey with a devastating climax. The film will be projected in DivX format and is an event not to be missed!

The Balboa Theater is located at 3630 Balboa Street in San Francisco. The movie screens at 8pm. Ticket prices are $8/$5 GreenCine Members, Students, Seniors.

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Posted by cphillips at August 11, 2005 11:19 AM